Lake Becking

We had small head lamps, as Michael and I briskly moved to the west following the circle exit, he had taken off the light and was waving it underneath a large pink sheet that was covering his head and much of his body. As he ran away from me and then returning to pass me again a small, shadowy silhouette of a dancing figure could clearly be seen, arms flailing, changing in scale, Michaels agile body was being propelled by this animated figure of light and shadow. I couldn’t believe my eyes, and yet the vision seemed entirely consistent with what I was feeling and the atmosphere of the night.

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I acknowledge that I live and work within, and am a temporary custodian of land that belongs to the Wotjobaluk people. I pay respect and homage to Wotjobaluk elders past and present on behalf of all GAIP participants. We also acknowledge and pay our respects to the original inhabitants of the lands we pass through during our performance collaborations and do our utmost to care for these places.